Events…When You’re Shooting Where Someone Else Is Working


This is a topic that has irked me for some time, so I’m going to vent and express my opinions…

Several years ago, we were invited to a wedding where I was asked to take some candids.  I mentioned this to one of my mentors who asked if a wedding photographer had been hired.  When I said yes, he cautioned me to be careful as there are any number of wedding photographers who have been known to walk out if they see others coming with “serious” gear.  I initially had mixed feelings about such a reaction.  As it turned out, the couple hadn’t engaged anyone to video the actual ceremony, so I volunteered.

When we got to the venue, I introduced myself to the “official” photographers.  I also explained that I would be shooting video during the ceremony and told them if I was in their way for a shot to tell me and I’d move.  They seemed to appreciate it.  We are very old friends with one side of the wedding, so on a couple of occasions, when I saw what was a must get shot, I would point it out to one of the working photographers.  I always got a thank you, and made a conscious effort not to be a know it all or a pest.

A year or two later, we were at another wedding where we knew one side for a long time.  One of the groom’s relatives is an amateur photographer who believes in the big numbers theory of photography.  If you’re not familiar with this theory, it goes like this…don’t worry about the rules of composition, exposure, etc.  Take enough pictures and you’ll get a few good ones.  So this person proceeded to shove their way into every possible scenario, including getting in the way when the pros were setting up the standard wedding party shots.  I have to give the pros a lot of credit for dealing with it very diplomatically.

More recently, I was asked to shoot a bridal shower.  The bride and one of my daughters have been best friends since they were little girls.  Of course I said yes, and it was done gratis.  I got hit with the same silliness.  One or two of the guests had their cameras and were just about throwing elbows to get me out of the way for their shots.  Fortunately, I have strong ribs.

I’ve even heard of weddings, in particular, where they actually had to stop the ceremony and “ask” people to sit down and get their phones out of the way so that the video and still pros could do their jobs.  Wouldn’t you just love to have the pictures of you walking down the aisle with your family and friends blocked by people’s phones?

I didn’t make up any of the above!  When I go to any event where someone is being paid to shoot the event, I make it a point to stay away from their shots.  Further, as an invited guest, I probably have more insight into relationships among the other guests and what might make a good memories type shot of people outside the very immediate family, wedding party, etc.  When I can, I get the folks who are working get the shot, but that isn’t always possible.  I don’t come away from these events with hundreds of shots.  Rather I get those shots that I think will be well received.  These shots are often outside of the typical event shots.

At one wedding, part of the ceremony was for the bride and groom to put a lock on a heavy chain.  The lock had two keys so they each took one and the tossed them into the pond around the venue.  It was a very sweet little part of the ceremony.  When everyone had moved away from there, I went back and got some shots of that lock.  A few weeks later, the bride and groom got an extra gift…we had that shot put on note cards.  We heard that they loved them.

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As I recall, this phenomenon of everyone taking pictures at weddings, etc. started in the pre digital days.  We would go to an event and there would be disposable cameras on the tables.  The guests were encouraged to take pictures with them and turn the cameras in when they left.  Remember, in those days we used film and getting the images out of the camera typically cost money.

We have reached a point where we need to set out the etiquette for guests taking pictures.  I’d like to propose the following which could be given to guests as they arrive:

We are looking forward to sharing with you.  We do ask that you observe these simple requests when taking pictures, video, audio, etc.  Please stay in your seat during the ceremony.  Please keep any cameras, phones or other recording devices within the confines of your seat during the ceremony.  We have hired the services of professional photographers and videographers to record the event for us.  Please do not interfere with their work.  Let them do their jobs the same way that you would appreciate others letting you do your work.  Please respect others’ privacy, if they do not want to be in a picture or video don’t include them.  If you decide to post pictures, videos, etc. online, please make sure that those in them agree.  As a guest you have no rights to sell any images, videos, etc. for profit without first getting permission of everyone in them!

So what’s your opinion?  What are your experiences with shooting at events as either the paid photographer or a guest?  I’d love to see a small discussion starting.

(Editorial note:  This post is light on images as the shots from events all involve family and friends who are not always big on having more pictures of them posted online)

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Yes, It’s Okay To Play!


When I was in school, the great sage advice was to find a job/career where you can do what you love.  That way you’re not working but having fun.  It sounds good, but jobs like that are very hard to find.  I did try.  The mattress companies told me that they weren’t looking for testers!

I have worked at jobs that I really enjoyed.  Somehow, those are the jobs that were transitory.  If you’ve been following my posts, you know that I am currently working at being a photographer.  Yes, I love photography, and have since I was a kid.  I don’t have delusions that I will be the next great photographer.  I do think that I can bring some joy to others with my images and would like to make that self supporting.

I recently started working freelance doing real estate photography.  You know those shots that are now standard whenever a home is for sale.  I’ll be honest, this is not they type of photography I aspire to.  It is photography, I do get paid for taking pictures and learn some new tricks and techniques.

One of the requirements for doing the real estate work is that I need to shoot with a 10mm lens.  If you’re not seriously into photography, 10mm is an extreme wide angle lens and can be prone to distortions.  I ordered the new lens (Tamron 10-24) and it came very quickly.  I’ve been shooting through the same camera long enough that it didn’t take any time to put everything together and have the lens ready to go.

I decided that before doing any real estate work I should take the new lens out for a spin.  To put it another way, go out and play for the afternoon.  I didn’t have any specifics in mind.  I just packed up the camera, etc. and went to one of our local towns where I haven’t done much shooting.  This was to be a walking adventure so I left the tripod at home.

When I go out shooting, I’m not constantly checking my images in the camera.  Yes I do check the built in histogram periodically to be sure I’m getting good exposure.  On this little outing, I spent more time checking images to see how the lens worked.  The widest lens that I had used was 28mm, so I figured how much of a difference can 18mm make?  An amazing difference.  I’m used to the idea that if I’m shooting and there is a pole or some other “truly meaningful” thing to the left or right, no problem.  The Tamron has a 109 degree angle of view.  That’s pretty close to anything in front of the camera, so I had to adjust how i position myself relative to the subject.  The other thing I noticed immediately is the distortion.   I’m used to my Nikon lenses that are very accurate in terms of WYSIWYG (what you see is what you get).

image looking down a street with converging buildings
Tunnel view

I’ve always wondered how to achieve this effect.  After taking some shots elsewhere, I came to this pedestrian plaza and took a few shots from one knee.  I really like how the pavement and buildings all seem to converge to the back/center of the image.  I do so love the law of unintended consequences!

As kids, the reason that we play is because we have fun.  Of course, while doing that we learn all kinds of things.  Clearly I was getting the maximum benefit of my play.

I continued walking.  I soon came on the county courthouse.  The original building is one of those great classic court buildings.  Again, I was amazed at how close I had to get to the building to only get what I wanted into the image.

Courthouse straight on view
Courthouse straight on view

On this image, I did use Photoshop to take out the distortion.  I’m totally amazed at how much is in the image.  In another few weeks the trees will be in full bloom making a shot like this impossible.  I was fortunate that it was a fairly sunny day so I got the nice blue sky and some interesting clouds.  I suspect that the lens had something to do with the clouds appearing to be focused around the top of the courthouse.  With my Nikon 28-300 lens a shot like this would have needed two or three exposures stitched together as a pano.

There is the obligatory artillery piece outside the courthouse, just off to the right of this image.  Feeling emboldened by the early results, I decided to go to the corner to take a three quarters shot.

Courthouse three quarters view
Courthouse three quarters view

Okay, I admit it, I need some more practice straightening some of the distortion.  I still like the result.  There is so much captured in this image, I’m amazed at what this lens can do.

I’ll spare you the step by step descriptions.  Eventually I found myself at the railroad station.  I took some shots as I went up to the platform.  What I really wanted to play with was the long view down the tracks.  My earlier shots had me thinking that I could get some really interesting shots.

color image on the railroad platform
Looking west on the railroad platform

Needless to say, I wasn’t disappointed.  The building rooflines, the tracks and yellow warning strips provide some great leading lines.  I didn’t do much with the distortion on these images.  Having taken the shots under the station roof facing west, I went to the other end of the platform to take some shots looking east.

Black and white on the railroad platform
Looking east on the railroad platform

Once again I got some really “neat” effects.  The light poles start to create that leading line into the station.  If you look carefully, you can see a very full parking lot off to the right and of course the tacks going off into infinity.

I wish I could spend more time playing and getting these results.  To be honest, there were also a lot of images that did not come out nearly as well as the ones above.  That’s the thing about playing, sometimes you win and sometimes you don’t.  The real fun is in the trying and learning.  My advice to you, go out and play, it’s fun and can be very rewarding!

Are You Growing Your Craft?


I need to start out by apologizing for not having posted for several weeks.  Sometimes “stuff” gets in the way of what’s important.  One very relevant thing was that I did a guest post for Leanne Cole’s excellent site.  The topic was winter photography  The responses were numerous and positive so I am very grateful to Leanne for allowing me to guest.  In case you missed that posting, you can see it here.

I’ve enjoyed photography since I was a kid.  When I started out, I also learned some of the basics of processing, printing, etc.  Yes that was back in the film days.  Back then, there were not nearly as many opportunities to learn.  There were books and magazines, a limited number of classes, some clubs and if you were lucky mentoring and good old trial and error.  At that time, trial and error were expensive because film, chemicals, paper, etc. all added cost.

Some time back I wrote about the many types of photography.  Now the question is how well do you embrace them.  As a combination of artist and technician we photographers can only get better at our craft by practicing it. One thing that I have learned in doing just that is that each type of photography has its own unique characteristics and techniques.  Another fun thing I have learned is, to paraphrase Yogi Berra, the more you know, the more you know!

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My serious learning path started several years ago.  At that time, I was using my camera in auto or presets mode and capturing jpegs. (okay enough laughter)  I was also taking the pictures off the camera and that was that.  Then I started learning.  At first, it was about some post processing via books and websites.  Then I met some more skilled, experienced photographers who got me shooting in RAW either in aperture or full manual mode (I’m not going to get into a debate on Raw vs jpeg here).  They also got me to start processing via Lightroom and Photoshop.  That’s when my images started getting much better.  Let’s face it, mastering Photoshop is not a small task and while I’m nowhere near a “master”, I manage.

I started looking at pictures differently.  I would look at an image I liked and ask why I like it, what did the photographer do to make this image interesting, etc.  All of that led me to start looking at the different types of photography.  I must also include that in that time frame I joined our local photo club which also introduced me to new techniques and methods.  Truth be told, none of us will ever master all types of photography.  Much as I might like to, I doubt that I’ll ever be a high fashion photographer or that I’ll be creating images of the inside of living organisms among other things.

That doesn’t mean that many other types of photography are closed to me, or that I can’t benefit from learning techniques that work especially well in those areas.  Most of my early pictures were nature, family gatherings and “how I spent my summer vacation”.  I know that I have improved the images I take in these areas through a combination of practice and learnings.  I have also gotten into some new types of photography.

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The first of these was serious black and white.  A few years ago had you told me that I’d be loving B&W I’d have simply told you no way.  It has taken some time and practice as well as some excellent software (Silver Efex and BW Effects).  Some of the early results were nothing great.  Therein lies a big lesson, keep at it, be self critical and get constructive criticism.  I can’t overstate how important all three are.

Another area that I’ve gotten much more interested in is urban/street photography.  I had always admired good street photography.  Probably my first exposure to it was the iconic VJ Day Kiss.  What I love about street photography is that it gives me the opportunity to show people and life as they really are.  Showing them in black and white makes it easier to show the “essence” of the image.  Again what got me interested in trying my hand was a presentation on some key aspects of this specialty.  Ironically, many of my best “street” shots show in black and white.  That’s another benefit of growing in all directions._DSC0766BWCOu

One amusing side from the everything old is new again department is that lately I’m also experimenting some with square images.  Some cameras will shoot that way.  Mine doesn’t.  In the right circumstances, it creates some great results.

I’m not going to rant on about the other aspects beyond saying that I’ve gotten much better at portrait type shots as well as candids.  I’ve also learned a number of tricks and techniques in post processing that can help to turn a good image into something special.DSC_3801COu

I’ll finish up with perhaps the most important lesson of all.  Let the camera do as much of the work as possible.  I know this sounds really simple, but to most people it is anything but.  Today’s cameras are very sophisticated computers.  There’s a lot that they can do to improve on the images they capture.  Take the time to go through the manual, learn and understand how and when to use those features.  It’s a lot easier to get all those elements right in the camera than it is to get them in via post processing.

Please feel free to offer comments, provide constructive criticism or ask questions.  I love hearing from you.

Making the World a Better Place


We’ve taken lots of shots, had some that we thought were the greatest thing since Ansel Adams and worked diligently to grow our craft.  If you’ve been lucky, you’ve also managed to sell some of your work.  But there is another side to all these beautiful images.

Photography is an art form that brings beauty, reality, information and emotion to the world.  Unlike most other art forms, producing copies of a great photo is pretty straight forward.  If you’re talking digital, it takes a few mouse clicks.  If you’re talking prints, it takes a bit more, but it’s still not a long involved and tedious process.  By comparison think of what it takes for a visual artist to do numbered prints.  (If you are not familiar with printmaking, check here.)

I am a strong believer in sharing, giving back, helping others, doing what I can to make the world a better place.  As photographers, we have a unique opportunity to accomplish good with our cameras, our skill and our time.  There are many different ways to do this.  I’m not proposing one over another.  What I get out of doing good works with my images is that warm feeling when people are able to benefit from my actions.  Think in terms of donating to charity or volunteering at a soup kitchen.

Here are a few of the ways that I’m aware of where people are using their images for the good of others.

At the top of the list is one of my mentors, Jim LaSala.  Jim is one of the truly gifted photographers out there.  He has dedicated countless hours to documenting the plight of the Haitian people since the earthquake several years ago. His images are some of the finest photographs you will ever see, both artistically and technically.  He has made any number of trips there at his own expense, because as far as he is concerned, it is the right thing to do.

A number of my friends volunteer to be photographers for specific charities or charitable events.  I know a number of photographers who volunteer to take pictures at big charity events (think Susan B. Koman walks for the cure).  They will spend all day, often under less than ideal conditions taking pictures that are either given to the subjects or sold back to the subjects by the charity as a fund raiser.

One friend has been the official photographer for the local Cub Scout Pine box Derby.  I know he got started because he had a grandson in the Cub Scout pack.  Since then he likes to tell us how thrilled the kids are to see high quality images of the cars that they have worked so hard to build.

Our photo club is working on a couple of initiatives.  We have a number of shows and exhibits each year.  For these shows, the images are typically 16 x 20 inches or bigger, matted and framed.  We all enjoy participating in the shows.  When the show season is over we are faced with the question, now what do I do with them.  To answer that, we’ve started a program where local charities can choose from a variety of donated, framed prints to use in their fundraising activities.

We are also putting together a portrait day in concert with four local charities.  The idea is that we will provide the photographers, cameras, lights, backdrops, etc.  The charities will publicize the event to their members and supporters.  There is a charge for each sitting which is paid directly to the charity.  In return, the supporter gets a high quality 5×7 print as well as a hi res digital file of the image.

Okay, so at this point you are probably saying talk is cheap, what am I doing?  I’m on the committee that is putting the shoots together. Working with one other member we started the pictures for charity pitch.  As the club webmaster, I also manage getting the images online so that the charities can see them.  (cheap self promotion time) If you take a look at my website, you’ll see that I tell anyone wanting to use my images for educational, religious, spiritual purposes, or to promote yoga (another of my passions) should contact me as I am honored to have my images used for those purposes.

I’ve been going on retreat to the same Jesuit retreat house for a very long time.  I’ve managed to get some wonderful images of meaningful places around the house and property.  I’ve shared any number of those images with the house.  Last year, I decided to go a step farther.  I started making 3×5 cards using some of these images and give them anonymously to my fellow retreatants.  They are laid out on a table with a sign saying please take on or two.  Every year, they “sell out”.  Each year as I get more images, I create new cards.  Here’s a sample.

Picture of a stained glass window

If you ask people who go on retreat to this house what are your favorite places/things in the house, this window is almost always one of the top things mentioned.  I don’t get paid for  the cards, in fact I incur a small cost because I print them.  What I get back from them is seeing how much they are enjoyed.  Several of my fellows go out of their way to thank me and tell me how much they enjoy them and how meaningful they are.

We are always hearing about the bad and the ugly in the world.  We are overloaded with tacky selfies and mealies (is that a word) that have us asking what made the poster think anyone is interested in it.  As serious photographers, we have the opportunity to not only bring some beauty to the world, we have the opportunity to help those less fortunate than ourselves.

It’s Supposed To Be Fun!


Picture of the Molly Malone statue in Dublin

A wise person once told us to do what you love, because then it never seems to be work!  That was one of the rationales for my embarking on this journey into photography.

I’ve always enjoyed photography.  No matter how much I try, I can’t narrow down why into one thing.  Some of the reasons…it gives me and my total lack of visual arts talent the chance to create beautiful images, people seem to enjoy what I produce, so giving them that joy makes me happy, there’s some combination of the artist and technician…you get the idea.

I got my first real camera when I was thirteen, a lot of years ago.  Back then, we shot film because there was noting else.  I learned some basic darkroom techniques with black and white and had a lot of fun with it.  I took a number of pictures that were printed for family and friends and always got nice “thank yous” and “how nice”.

The first image that got me that warm, I did something nice, feeling was a black and white candid I got of my best friend’s father.  I did all the processing and printing (the printing left something to be desired) and gave the only print to my friend’s mother.  She put the picture in a frame and to this day it is still on display after various moves.

Fast forward a number of years.  When I was in my twenties I bought a Nikormat.  I wanted a “serious” 35mm SLR, but wasn’t ready to spend the money on the Nikon F.  That was when I started trying to be a bit more serious.  i can remember being out with my wife (then girlfriend) and her lamenting about how many shots was I going to take of the same thing?  For me that was learning, understanding how the different settings impact the picture.

All that practice paid off.  I got some very memorable pictures of our kids growing up.  What better use for a camera?  Was that fun? You bet!

Then came digital.  After playing with it for several years, I started getting more serious.  I spent more time taking the shots, got some serious glass, etc.  When I joined our local photo club, I also got serious software for post processing.

Throughout the process, I was learning and having fun.  Yes there have been times when I’ve struggled with deadlines, getting the annual calendars ready, preparing for shows, getting event pictures processed and out.  I’m sure you’ve had the same experience.  There have also been the frustrations over why I couldn’t get the image to look exactly as I thought it should. Through all of it, I’ve kept on learning and it remains fun.  That’s the important thing.

As you may know, in addition to photography, I’ve been involved with yoga for a number of years.  Each summer I go to “Yoga Camp” for fun and to get my PDUs to maintain my teaching certifications.  I bring camera gear to these for a number of reasons.  I can video the presentations so that I can review them later.  I also try to get some good shots of my fellow campers that I share with them.  Anyway, a couple of years ago, I was chatting with one of my fellow yogis.  He saw me working on the days images.  What he told me was that he had been a professional studio photographer for many years.  By his description of the work he did he was quite good and successful.  My obvious question to him was why had he left the profession.  His answer, “it stopped being fun”!

The image at the top of this post is one I took of the Molly Malone statue in Dublin.  This shot is multiple fun.  First it reminds me of a fun trip to Ireland, then the characters in it are having fun and finally, I’ve worked on it any number of times as my skill set has grown and I like it better and better.

Taking vs Making


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It may seem like a small thing, but I have noticed that most of the professional photographers I look up to refer to making a picture/image/photograph.  By contrast, most others refer to taking a picture.  So what’s the difference?

Taking a picture is a straight forward process.  To many people that process is get out your phone/camera, see something you want a picture of, push the button and then upload/share it.  Facebook, Instagram, etc. are loaded with such pictures.  Don’t get me wrong, there’s nothing wrong with such pictures, they help to convey an immediate image.

Making a picture is a very different process.  Yes it starts out with getting out a camera (it can even be the one in your phone!).  From there, the process moves in a very different direction.  When making an image, the photographer spends the time needed to understand the subject not just, okay that’s a nice (pick something) that could be a great subject.  Now come the questions… How to capture that subject in a way that shows it best; what is the light and how does it impact the subject; what about the surroundings, keep them in focus or not…and the list goes on.  When making an image we often scout out the location in advance to find the best spot.  When going to capture the image, we will get there well before the time comes for actually hitting the shutter so that when the light is just right we are ready.

I am a firm believer in capturing multiple shots.  With today’s digital technology there is no cost to it.  Besides, it often happens that the second, third or whatever shot turns out to be the best.  In other scenarios, we capture two, three or more shots with slight variations in settings so that we capture the full spectrum of that image.

That brings us to the other part of the making process, post processing.  With digital photography, the computer has replaced the darkroom.  In the film days, there were drop off sites where you could leave your film for processing and come back in a day or two to get your prints.  There were also custom labs where you could get the work done.  It cost more and took longer, but the difference was obvious.  Under most circumstances, you can take a picture from your camera and be done… taking a picture.  When making a picture, it gets tweaked, polished and finished with any number of digital tools like Lightroom and Photoshop.  In the case where we took a series of shots with different settings, the software will combine them so that the whole is greater than the sum of its parts.  To be clear, I’m not talking about creating an image in Photoshop, rather using Photoshop to make the image something special.

One of my mentors keeps telling us to let the camera do as much work as possible.  What he means is that the better the quality of the image coming out of the camera, the easier it will be to post process it and the greater the likelihood that the end result will be something you can be proud of.  I always try to follow this advise…with varying levels of success!

To give you a concrete example…I take a lot of shots at Duke Farms here in Hillsborough.  It is a wonderful education center that is open to the public for free.  On the property is an old barn known as the Hay Barn.  Go to the site for details.  Lots of people take pictures of the Hay Barn.  I have my fair share of them too.  When most people show me their shots I ask one question, where are the faces?  They usually give me a puzzled look or ask if I’ve taken my medicine.  Then I explain that when taken from the correct angle in the right light, you can see faces in the the wall (see the accompanying picture).  When I show them they understand what I’m talking about.  When I explain how it’s done, in most cases, the eyes start to glaze.  The difference between taking and making.

Photography Is Plural


The more time I spend working to perfect my craft, the more I realize that because I am improving in one type of photography , I still have a long way to go with many others.  According to the professional and serious amateur photographers who will always give me honest feedback, I’m getting pretty good at certain types of images.  These include black and white, candids, birds, bugs, macro and intimate scenics.  You can see examples in my galleries.  I have spent a lot of time taking these shots, post processing them and soliciting constructive feedback.

I can take adequate shots at some sporting events if I can get close enough.  I’ve done some okay big landscapes.  Portraits I have a long way to go. Photography is a craft.  As with many crafts it takes time, dedication, practice and teaching to continue to improve.  As one of my mentors explains it, the structure of continuing improvement is a pyramid.  When you start out there are lots of things that need to be done.  Exposure is often off, depth of field needs to be understood and applied, composition needs improvement and the list goes on.  As we gain more knowledge and apply it there are fewer things that need improvement and they are often less obvious and harder to master.

One of the ironies is that while some of these skills are readily transferable across photographic genres, many are not.  As an example, let’s look at portrait photography.  There are many little “tricks of the trade” when it comes to posing the subject for the best outcome.  While I’d love to be able to apply them to birds and flowers, so far my efforts have been in vain.  The same thing applies to lighting.  The lighting in a fine portrait is a very complex subject.  Many is the beginner who allows the flash on their camera to pop up and then wonder at the mediocre picture it produces.  How the lighting is applied not only determines if the portrait is “good” but also the message it conveys.

I have been doing a lot more urban/street photography as well as trying some fun things.  Here in Central New Jersey we are fortunate to have an annual hot air balloon festival.  The balloons come in a wide variety of sizes, shapes and colors.  Many of them fall into the category that I call whimsical.  They are shaped like cartoon characters, castles, I’ve even seen a hot air space shuttle.  These can make for some great fun shots that I take with a tripod mounted camera usually with a good amount of time to set up and compose the image.  On the other hand, street photography is almost the opposite.  Scenes come and go very quickly (okay there are some that are just there).  Seeing those scenes is not as easy as it looks.  First you need to learn to work with a hand held camera using one of the priority modes.  I usually use aperture mode and let the camera figure out the shutter speed based on F stop and ISO.  Then there is the need to do quick composition since most subjects are not going to hold a pose for you.  I have lots of pictures that I put in my “I Cried Because I Had No Shoes” collection (the rest of the line is “and then I met a man who had no feet).  Yes the image looks really nice, but a key part is chopped off, often the subject’s feet because I wasn’t paying enough attention to the whole frame.

One of the hardest things in street photography is taking someone’s pictures when they know you are taking it.  This normally requires approaching a complete stranger and asking for permission, not something I do easily.  It can get more complex asking for permission to publish the picture and getting a release.

Having taken the shots post processing can be just as tricky.  As I said earlier I love black and white.  It has taken me quite a while to develop an eye for images that will work well in black and white.  The way that an image is processed makes a huge difference in its effect and impact.  Understanding how to do that processing again is not a one size fits all proposition.  Yes many photographers develop a style, but style is constantly being revised and improved with every image.

Out of curiosity, I recently took a shot that I was quite pleased with in its color rendering and converted it to black and white.  I then posted it via a few venues asking viewers which they preferred and why.  The results came in almost evenly split!  (they are the image for this posting)  The simple lesson from that experiment is that no matter how much I may like an image in one rendering or genre, that’s only my opinion and many other people will have different opinions.

The real lesson to be learned here is that if you are just starting out in photography, learn your lessons one at a time.  You cannot master all styles, genres, etc. at the outset.  Find first what you enjoy shooting and then grow your craft from _DSC3234-1CombineduCO-LRthere.  At some point in the process you will start to find other types of images that you enjoy taking and naturally grow your craft.  The other thing to remember is that not every photographer will excel in every style or genre.  That’s fine too.

To me if the photography isn’t fun, why bother with it a all!